CAMH

Today we screened for about 60 case workers, clinicians and other front line mental health folks at the Center for Addiction and Mental Health in Toronto. Interesting and positive experience, some good things said - looking forward to the next one!

MARS Distribution

In hard copy

MARS PROJECT - DVD Preview

Even though it seems like the DVD market seems to be getting smaller and more geared toward the die-hard film buff and collector, we're still excited to offer up the home video release of Mars Project. DVD includes: director's cut of the film, interview highlights, director's notes, a mini-poster, the original 5-minute short that started it all and 40 mins. of extras that didn't make the final cut, but are no less important to the story of Khari "Conspiracy" Stewart. Everything is Region 0 NTSC (should play anywhere). Got a question? Email us marsprojectmovie(at)gmail(dot)com

MARS on Edmonton's CJSR FM 88.5

Mr. Zyp - host/superstar of CJSR's "Moving Radio" features Mars Project – an interview with the film's director (a.k.a. me). Skip ahead to about 11:07 to get to our little section.

MARS SBU on CHRY 105.5 (aired April 3, 2013)

 

Christian Deo (CHRY 105.5 Independent Arts Report) interviews director of Mars Project Jonathan Balazs, listen here.

Sat down with independent film maker Jon Brando Balazs to talk about his newest documentary film, "Mars Project". The film looks at the battles of Khari 'conspiracy' Stewart with both schizophrenia the Canadian Mental Health System.

Produced at CHRY 105.5
Music credited to Supreme Being Unit

Mars Project on InnerSPACE

WATCH IT HERE

MARS PROJECT – A DOCUMENTARY ABOUT MENTAL HEALTH ISSUES

Aline Le reviews Mars Project and shares her experiences on iheartmoviesto.com

"Mars Project" examines schizophrenia and the mental health system

"Mars Project" examines the limitations and efficacy of psychiatry, medication and the mental health care system, while intimately getting to know Khari and the dynamic effects schizophrenia has had on his life. In our interview with filmmaker Jonathan Balazs, he talked to us more about what he hoped to achieve with his film.

Thanks to mindyourmind.ca for the support & promotion, read the rest of the interview HERE.

Unlikely friends take documentary look at mental illness

From today's Toronto Star, written by Jim Coyle


Jonathan Balazs and Khari “Conspiracy” Stewart make one of the unlikelier pairs anyone is ever apt to encounter.

Balazs, a compact 27-year-old of Hungarian descent, is a recent fine arts graduate from Ryerson University who, with his trimmed beard and waxed moustache, soft voice and thoughtful demeanour, seems every bit the Euro-artiste.

Stewart, tall, black and 35, with a large stud in his nose, an address in Parkdale and the layered, baggy uniform and hood of the street, cuts a much more imposing figure.

But the two men are friends. Close friends. Closer, probably, than most men ever get.

They are also collaborators — both as partners in a hip-hop album and, most recently, as filmmaker and subject in a documentary called Mars Project, an unsettling and provocative look at madness and the mental health system in Canada.

The two men first crossed paths 10 years ago in Edmonton. Balazs and Stewart were both part of the local hip-hop scene. So compelling was Stewart’s work — and so eccentric his behaviour — that Balazs noticed him “long before we ever uttered a word to each other.”

Eventually, they started hanging out. Balazs interviewed first Khari’s twin brother and musical partner, Addi, then Khari himself for an article published by an online hip-hop magazine.

That’s how he learned the Stewarts’ story. And that’s where Balazs’s vision took root.

The Stewart boys were born in August 1977 in Toronto. Soon, they moved with their Jamaican-born mother, Mertella, to Edmonton, where they were straight-A students through elementary school. “We were regular kids,” Addi says.

After high school, Khari moved back to Ontario. And there, in 1996, while living in Ottawa, he started hearing voices.

There were two, he says, one male, one female. He calls them “Anacron” and “Anacrona.” He couldn’t function, couldn’t get a job. He became terrified, moving back to Edmonton in 2000 to live with his mother.

“I was a normal kid before (the voices) came and when they came I turned all weird, all negative and stuff, because they’re bothering me, they’re causing me to lash out and hate life.”

He was ultimately taken to the Alberta Mental Hospital. There, he was diagnosed with schizophrenia and spent more than a year as an in-patient. He was heavily medicated, he says, but the treatment didn’t accomplish much.

Khari was eventually released after telling psychiatrists the voices had stopped. But they never did, he said. He just figured out that compliance was the quickest road out.

He never bought the diagnosis of schizophrenia. He believes he is cursed by “devil magic,” that his condition is metaphysical, his solution to be found in psychics and the spiritual realm.

He still hears the voices every day, he says. “I could be sitting here at peace and then, like, the voices will just materialize and they’ll distract my concentration.” And he knows it “affects my friends, my family.

“I want to get back to the normal kid before (the voices) were in my life,” he says. But the only way to silence those voices, the voices themselves tell Khari, is for him to “blow his brains out.”

As for Balazs, he left Edmonton to attend Ryerson. But Khari and his struggles were seldom far from the aspiring filmmaker’s thoughts.

From Khari’s theories of demonic possession, and his less than productive encounter with the mental health system, Balazs made a short piece about him for a school assignment. Later, still trying to answer some of the questions his friendship with Khari had raised, he enrolled in a Ryerson course on the “history of madness.”

Balazs showed his short film to a professor, made another and, after graduation in 2010, decided to “go full at it” and make a documentary.

The film, shot mostly in Toronto, flits between Khari’s lavish wreaths of marijuana smoke and interviews with psychiatrists discussing schizophrenia, between characterizations of the bizarre internal world Stewart inhabits and the baleful impact his condition and behaviour have on others.

“He looks like my brother, but he doesn’t act like my brother,” says Addi Stewart, with whom Khari has occasionally lived and who took, during such periods, to sleeping with a knife under his pillow.

Balazs raises intriguing questions about the limits of psychiatry, the limits of medication, and the efficacy of community treatment orders. In some segments, Khari plays a wizard to symbolize “the mysterious side of psychiatry and spirits and everything that’s unknown.”

Danielle Landry, a teaching assistant at Ryerson and associate producer on the film, says Khari’s story “doesn’t really fit your traditional mental health narrative. It’s not a recovery story. He’s not all cured.”

But it’s important, Landry says, to look at some of the issues his experience raises, “to look at why he’s more likely to be on a community treatment order than a white man his age, why he’d be more likely to be locked up.”

In fact, Khari is effortlessly articulate and entertaining, even more effortlessly profane. He lives on disability support and what he makes performing, having made visits, as many mental patients do, to jails. He also receives mandatory biweekly injections at St. Michael’s Hospital to retain his support payments.

On the positive side, the voices have informed his music, he says, and infused it with wild darkness. “I make music about my life. This is what I’m going through. So I write songs about them.”

The film “really looks at Khari’s social world and everything going on in his world,” Landry says. “And it’s important that we feature a lot of his music because it shows that mad people, even though they’re mad, they can work and they can produce some amazing stuff.”

Balazs and Stewart laugh now at some of their experiences.

“Imagine you’re talking to a psychiatrist and try to tell them that you’re a rap star and that somebody’s making a movie about you,” says Balazs. “You think that’s gonna fly?”

Even Khari’s mother was initially apprehensive.

“She thought he was trying to rip me off,” Khari laughs. “She said, ‘Is this guy gonna take your story and make a bunch of money off you?’

“But I felt a vibe. I trust this guy. He’s got a good heart.”

Now, Balazs hopes to have the documentary screened at a festival like Hot Docs in Toronto this spring and to win wider distribution.

And what did Khari think of the finished product?

“I think my life is one wild and exciting adventure.”